I repaired an Olympus Trip 35 on my bedroom floor with a screwdriver set that cost less than my coffee, loaded it with expired Kodak Gold, and drove to Raglan. What came back changed how I think about photography entirely.
I've been paying attention to the wrong things — not badly, just at the wrong scale. I kept waiting to feel ready. What I didn't notice was that myself was already here, in the small and the tactile and the close.
The shots where I hesitated came out worse — not because the light was different, but because something in the holding-back made it into the image.
Fully dried, going nowhere. I've stopped trying to decide what they mean.
Not resignation — precision. An insistence on the close and the tactile. The things you'd miss if you were trying to be seen.
The notes aren't hard. The spaces between them are. On learning Satie, and what it means to practice the wrong thing until it sets.
I don't have a point to make about this. I just wanted to write it down before I stopped noticing it.